5,864 Free Images of Art, Design, & Architecture Museum

metropolitan museum of artdepartment of drawings and prints, metropolitan museum of artla vera perfettione del disegno di varie sorte di ricami (1564)rogers fund - books and manuscriptswoodcutgiuseppe portaetching printmathäus küselprints by stefano della bella in the metropolitan museum of artnicolas langlois
Design for a float, from 'Éloges et discours sur la triomphante réception du Roy en sa ville de Paris ...' by Jean-Baptiste de Machault, Abraham Bosse, 1629
melchior tavernier (i)pierre firens i
Tracing of a Ballet Costume: St Sebastian, Léon Bakst, 1922
department of drawings and prints, metropolitan museum of artscenic designs by leon bakst
Breakfast in Sora, Peder Severin Krøyer, 1880
paintings by peder severin krøyer in the nasjonalmuseet for kunst, arkitektur og designimpressionism
Crace wall decoration - Frederick Smallfield CROP, between 1851 and 1853
victorian architecturejohn gregory crace
Designs for Three Friezes with Hunting Themes, Plate 9 from: 'Decorative friezes and foliage' (Ornamenti di fregi e fogliami), Nicolas Langlois (I), circa 1645–50
prints by stefano della bella in the metropolitan museum of artnicolas langlois
A large gathering of people in the street as a goddess races across the sky in a chariot led by four horses; set design from 'Il Fuoco Eterno', Mathäus Küsel, 1674
department of drawings and prints, metropolitan museum of artmatthäus küsel
A man and two women conversing at center; young men standing to their right and young women to their left; ships in the distance; set design from 'Il Pomo D'Oro', Mathäus Küsel, 1668
department of drawings and prints, metropolitan museum of artludovico burnacini
A man stands at center, flanked by rows of buildings; above Jupiter atop an eagle and Juno accompanied by a peacock, converse among the clouds; set design from 'Il Pomo D'Oro', Mathäus Küsel, 1668
department of drawings and prints, metropolitan museum of artludovico burnacini
Design for a Frieze with Putti carrying a Vine and Three Felines, Plate 11 from: 'Decorative friezes and foliage' (Ornamenti di fregi e fogliami), Stefano della Bella, circa 1645–50
prints by stefano della bella in the metropolitan museum of artbaroque
Two decorates Frieze Designs for Cornices, from: Frise pour les architraves, corniches et autres ornaments d'architecture, Jean Leblond, before 1666
jean le pautrejean leblond i
Two Designs for Doors, one at Versailles and one at the Hotel Cavois in Paris, plate II from the Series 'Portes a Placard et Lambris', published as part of 'L'Architecture à la Mode', Nicolas Langlois (I)
nicolas langloisjean le pautre
A woman in a chariot arrives at the ruins of a building as the Olympian gods look down from above, in the foreground stands an armed female figure; set design from 'Il Pomo D'Oro', Mathäus Küsel, 1668
department of drawings and prints, metropolitan museum of artludovico burnacini
Drawn title page inscribed "Alfred Crowquill [Alfred Henry Forrester, 1804–1872], Original Designs for Pottery and Porcelain, ca. 1845–1855," with Drawing of Lily Cup, Alfred Henry Forrester, 1845–55
department of drawings and prints, metropolitan museum of artalfred henry forrester
Russian female dancer costume for 'The Doll's Fairy', Léon Bakst, 1903
department of drawings and prints, metropolitan museum of artscenic designs by leon bakst
Drawing, El Khasneh, Petra, late February 1868, Frederic Edwin Church, late February 1868
sketches of the middle east by frederic edwin church in the cooper-hewitthudson river school
The True Perfection of the Design of various types of embroidery, page 39 (recto), Giuseppe Porta, 1567
la vera perfettione del disegno di varie sorte di ricami (1564)department of drawings and prints, metropolitan museum of art
1933-10-18 Kurt Schwitters Vordruck Stadtbauamt Hannover an Tischlermeister Dipl.-Ing. Heinrich Brinkmann, Holbeinstr. 14 per Bothfelderstrasse 23 F 10, Kurt Schwitters, 18 October 1933
1933-10-18dada
Book of Architecture by Sieur Boffrand - 18th Century Design, Pierre François Tardieu, 1745
books in the cooper–hewitt, smithsonian design museum1745 works
Architecture in Fashion or are the New Designs for the Decoration of Buildings and Gardens, Jean Mariette, [ca. 1680–ca. 1710]
nicolas langloisjean mariette
Arsenal of Mars; a group of soldiers standing across from a group of women in an arsenal; ships off in the distance; set design from 'Il Pomo D'Oro', Mathäus Küsel, 1668
department of drawings and prints, metropolitan museum of artmatthäus küsel
Men and women gathererd in the street to view the entrance of a royal figure, who is carried into the city on a throne; set design from 'La Monarchia Latina Trionfante', Mathäus Küsel, 1678
department of drawings and prints, metropolitan museum of artmatthäus küsel
Cavern of Aeolus; a cave with wind gods blowing on either side of Aeolus who sits enthroned at center; set design from 'Il Pomo D'Oro', Mathäus Küsel, 1668
department of drawings and prints, metropolitan museum of artmatthäus küsel
Design for a Frieze with Acanthus Scrolls and Playing Putti and Dogs, Plate 12 from: 'Decorative friezes and foliage' (Ornamenti di fregi e fogliami), Stefano della Bella, circa 1645–50
prints by stefano della bella in the metropolitan museum of artbaroque
Design for a Frieze with Acanthus Scrolls with the Theme of Love, Plate 7 from: 'Decorative friezes and foliage' (Ornamenti di fregi e fogliami), Stefano della Bella, circa 1645–50
prints by stefano della bella in the metropolitan museum of artbaroque
Design for a Frieze with Acanthus Scrolls and a Leopard in the Center, Plate 10 from: 'Decorative friezes and foliage' (Ornamenti di fregi e fogliami), Stefano della Bella, circa 1645–50
prints by stefano della bella in the metropolitan museum of artbaroque
Two Designs for Friezes or Consoles characterized by Armorial Trophies, Plate 6 from: 'Decorative friezes and foliage' (Ornamenti di fregi e fogliami), Stefano della Bella, circa 1645–50
prints by stefano della bella in the metropolitan museum of artbaroque
Pleasure garden, with three figures in front of a fountain at center, a row of putti to the left, and a group of women to the right; set design from 'Il Pomo D'Oro', Mathäus Küsel, 1668
department of drawings and prints, metropolitan museum of artmatthäus küsel
Grotesque Design with an Octagonal Panel in the Center and Two Griffins Drinking from PLates held up by a Hybrid Creature (recto); Two Turtles above a Scene with Four Figures (verso), Andrés de Melgar, circa 1545–60
department of drawings and prints, metropolitan museum of artdrawings by andrés de melgar
Grotesque Design with an Octagonal Panel in the Center and Two Griffins Drinking from PLates held up by a Hybrid Creature (recto); Two Turtles above a Scene with Four Figures (verso), Andrés de Melgar, circa 1545–60
department of drawings and prints, metropolitan museum of artdrawings by andrés de melgar
Grotesque Design with an Octagonal Panel in the Center and Two Griffins Drinking from PLates held up by a Hybrid Creature (recto); Two Turtles above a Scene with Four Figures (verso), Andrés de Melgar, circa 1545–60
department of drawings and prints, metropolitan museum of artdrawings by andrés de melgar
In the Skerries, Anders Zorn, 1894
in the skerries by anders zornimpressionism
Architecture in Fashion or are the New Designs for the Decoration of Buildings and Gardens, Nicolas Langlois (I), [ca. 1680–ca. 1710]
nicolas langloisjean mariette
Architecture in Fashion or are the New Designs for the Decoration of Buildings and Gardens, Nicolas Langlois (I), [ca. 1680–ca. 1710]
nicolas langloisjean mariette
A man and a woman conversing at center, surrounded by a row of young men to the right and young women to the left, Mercury appears at top left corner; set design from 'Il Pomo D'Oro', Mathäus Küsel, 1668
department of drawings and prints, metropolitan museum of artludovico burnacini
The Triumph of Austria; Leopold I at center, mounted on a reared horse, atop a military trophy; surrounded by equestrian portraits of the Holy Roman Emperors; set design from 'Il Pomo D'Oro', Mathäus Küsel, 1668
department of drawings and prints, metropolitan museum of artludovico burnacini
Design for a Frieze with Two Putti holding a crown over the letter, 'L' (for Louis XIV?), Plate 3 from: 'Decorative friezes and foliage' (Ornamenti di fregi e fogliami), Stefano della Bella, circa 1645–50
prints by stefano della bella in the metropolitan museum of artbaroque
Design for a Frieze with Acanthus Scrolls and Two Small Figural Motifs Below, Plate 15 from: 'Decorative friezes and foliage' (Ornamenti di fregi e fogliami), Stefano della Bella, circa 1645–50
prints by stefano della bella in the metropolitan museum of artbaroque
Design for a Frieze with Acanthus Scrolls and a Child flanked by Dogs in the Center, Plate 8 from: 'Decorative friezes and foliage' (Ornamenti di fregi e fogliami), Nicolas Langlois (I), circa 1645–50
prints by stefano della bella in the metropolitan museum of artnicolas langlois
Design for a Frieze with Three Putti holding a Garland and Two Leopards jumping over it, Plate 16 from: 'Decorative friezes and foliage' (Ornamenti di fregi e fogliami), Stefano della Bella, circa 1645–50
prints by stefano della bella in the metropolitan museum of artbaroque
An army marching through a field; soldiers on foot at left and right, while others ride elephants and camels down the center; set design from 'La Monarchia Latina Trionfante', Mathäus Küsel, 1678
department of drawings and prints, metropolitan museum of artmatthäus küsel
Design for Two Friezes, the One on Top containing a Zephyr flanked by Lions, Plate 14 from: 'Decorative friezes and foliage' (Ornamenti di fregi e fogliami), Stefano della Bella, circa 1645–50
prints by stefano della bella in the metropolitan museum of artbaroque
Iris, Messenger of the Gods, Auguste Rodin, from 1890 until 1891
sculptures in the nasjonalmuseet for kunst, arkitektur og designmodern art,symbolism
Bridal Procession on the Hardangerfjord, Adolph Tidemand, 1848
bridal procession on the hardangerfjord – brudeferd i hardangeroil on canvas
Costume Study for Vaslav Nijinsky in the Role of Iksender in the Ballet "La Péri" (The Flower of Immortality), first performed in Paris, 1912, Léon Bakst, Dated 1922
department of drawings and prints, metropolitan museum of artscenic designs by leon bakst
Costume Study for Vaslav Nijinsky in the Role of Iksender in the Ballet "La Péri" (The Flower of Immortality), first performed in Paris, 1912, Léon Bakst, Dated 1922
department of drawings and prints, metropolitan museum of artscenic designs by leon bakst
Bird in shell at the center of the lintel, with a frieze of trophies, surmounted by an overmantel with candelabra and flanked by chairs. (Ch. décorée d'une frise de casques et d'armures . . .), Giovanni Battista Piranesi, circa 1769
etchings by giovanni battista piranesineoclassicism
Drawing, El Khasneh, Petra, late February 1868, Frederic Edwin Church, late February 1868
sketches of the middle east by frederic edwin church in the cooper-hewitthudson river school
A row boat leading a ship to shore while a large group of figures looks on from the coast and along the bridge at center; a deity appears in the sky at upper left; set design from 'Il Fuoco Eterno', Mathäus Küsel, 1674
department of drawings and prints, metropolitan museum of artmatthäus küsel
Prologue; the stage curtain is lifted to reveal a soldier on an elephant surrounded by his army; above Jupiter and his eagle look down on men carrying boulders; set design from 'La Monarchia Latina Trionfante', Mathäus Küsel, 1678
department of drawings and prints, metropolitan museum of artmatthäus küsel
Plate 2: Design for a Frieze with Felines holding up a Garland and the Medici Coat of Arms in the Center, Plate 2 from: 'Decorative friezes and foliage' (Ornamenti di fregi e fogliami), Stefano della Bella, circa 1645–50
prints by stefano della bella in the metropolitan museum of artbaroque
Two Frieze Designs with Acanthus Scrolls combined with a Lion and Eagle on top and Two Rams below, Plate 5 from: 'Decorative friezes and foliage' (Ornamenti di fregi e fogliami), Stefano della Bella, circa 1645–50
prints by stefano della bella in the metropolitan museum of artbaroque
Three men at center, an old man who holding out an open book for a soldier to sign as a smaller man stands to the left holding ink; a large group of men surround them; set design from 'Il Fuoco Eterno', Mathäus Küsel, 1674
department of drawings and prints, metropolitan museum of artmatthäus küsel
The True Perfection of the Design of Various Sorts of Embroidery, page 19 (verso), Giuseppe Porta, 1567
la vera perfettione del disegno di varie sorte di ricami (1564)department of drawings and prints, metropolitan museum of art
The True Perfection of the Design of various types of embroidery, page 2 (recto), Giuseppe Porta, 1567
la vera perfettione del disegno di varie sorte di ricami (1564)department of drawings and prints, metropolitan museum of art
The True Perfection of the Design of various types of embroidery, page 17 (recto), Giuseppe Porta, 1567
la vera perfettione del disegno di varie sorte di ricami (1564)department of drawings and prints, metropolitan museum of art
The True Perfection of the Design of Various Sorts of Embroidery, page 11 (verso), Giuseppe Porta, 1567
la vera perfettione del disegno di varie sorte di ricami (1564)department of drawings and prints, metropolitan museum of art
The True Perfection of the Design of various types of embroidery, page 13 (recto), Giuseppe Porta, 1567
la vera perfettione del disegno di varie sorte di ricami (1564)department of drawings and prints, metropolitan museum of art
The True Perfection of the Design of various types of embroidery, page 22 (recto), Giuseppe Porta, 1567
la vera perfettione del disegno di varie sorte di ricami (1564)department of drawings and prints, metropolitan museum of art
The True Perfection of the Design of various types of embroidery, page 20 (recto), Giuseppe Porta, 1567
la vera perfettione del disegno di varie sorte di ricami (1564)department of drawings and prints, metropolitan museum of art
The True Perfection of the Design of various types of embroidery, page 15 (recto), Giuseppe Porta, 1567
la vera perfettione del disegno di varie sorte di ricami (1564)department of drawings and prints, metropolitan museum of art
The True Perfection of the Design of various types of embroidery, page 18 (recto), Giuseppe Porta, 1567
la vera perfettione del disegno di varie sorte di ricami (1564)department of drawings and prints, metropolitan museum of art
The True Perfection of the Design of Various Sorts of Embroidery, page 14 (verso), Giuseppe Porta, 1567
la vera perfettione del disegno di varie sorte di ricami (1564)department of drawings and prints, metropolitan museum of art
The True Perfection of the Design of various types of embroidery, page 11 (recto), Giuseppe Porta, 1567
la vera perfettione del disegno di varie sorte di ricami (1564)department of drawings and prints, metropolitan museum of art
The True Perfection of the Design of Various Sorts of Embroidery, page 22 (verso), Giuseppe Porta, 1567
la vera perfettione del disegno di varie sorte di ricami (1564)department of drawings and prints, metropolitan museum of art
The True Perfection of the Design of Various Sorts of Embroidery, page 10 (verso), Giuseppe Porta, 1567
la vera perfettione del disegno di varie sorte di ricami (1564)department of drawings and prints, metropolitan museum of art
The True Perfection of the Design of Various Sorts of Embroidery, page 18 (verso), Giuseppe Porta, 1567
la vera perfettione del disegno di varie sorte di ricami (1564)department of drawings and prints, metropolitan museum of art
The True Perfection of the Design of Various Sorts of Embroidery, page 15 (verso), Giuseppe Porta, 1567
la vera perfettione del disegno di varie sorte di ricami (1564)department of drawings and prints, metropolitan museum of art
The True Perfection of the Design of Various Sorts of Embroidery, page 23 (verso), Giuseppe Porta, 1567
la vera perfettione del disegno di varie sorte di ricami (1564)department of drawings and prints, metropolitan museum of art
The True Perfection of the Design of various types of embroidery, page 10 (recto), Giuseppe Porta, 1567
la vera perfettione del disegno di varie sorte di ricami (1564)department of drawings and prints, metropolitan museum of art
The True Perfection of the Design of various types of embroidery, page 16 (verso), Giuseppe Porta, 1567
la vera perfettione del disegno di varie sorte di ricami (1564)department of drawings and prints, metropolitan museum of art
The True Perfection of the Design of various types of embroidery, page 21 (recto), Giuseppe Porta, 1567
la vera perfettione del disegno di varie sorte di ricami (1564)department of drawings and prints, metropolitan museum of art
The True Perfection of the Design of various types of embroidery, page 2 (verso), Giuseppe Porta, 1567
la vera perfettione del disegno di varie sorte di ricami (1564)department of drawings and prints, metropolitan museum of art
The True Perfection of the Design of various types of embroidery, page 19 (recto), Giuseppe Porta, 1567
la vera perfettione del disegno di varie sorte di ricami (1564)department of drawings and prints, metropolitan museum of art
The True Perfection of the Design of Various Sorts of Embroidery, page 21 (verso), Giuseppe Porta, 1567
la vera perfettione del disegno di varie sorte di ricami (1564)department of drawings and prints, metropolitan museum of art
The True Perfection of the Design of various types of embroidery, page 12 (recto), Giuseppe Porta, 1567
la vera perfettione del disegno di varie sorte di ricami (1564)department of drawings and prints, metropolitan museum of art
The True Perfection of the Design of Various Sorts of Embroidery, page 12 (verso), Giuseppe Porta, 1567
la vera perfettione del disegno di varie sorte di ricami (1564)department of drawings and prints, metropolitan museum of art
The True Perfection of the Design of various types of embroidery, page 16 (recto), Giuseppe Porta, 1567
la vera perfettione del disegno di varie sorte di ricami (1564)department of drawings and prints, metropolitan museum of art
The True Perfection of the Design of various types of embroidery, page 23 (recto), Giuseppe Porta, 1567
la vera perfettione del disegno di varie sorte di ricami (1564)department of drawings and prints, metropolitan museum of art
The True Perfection of the Design of various types of embroidery, title page (recto), Giuseppe Porta, 1567
la vera perfettione del disegno di varie sorte di ricami (1564)department of drawings and prints, metropolitan museum of art
The True Perfection of the Design of Various Sorts of Embroidery, page 8 (verso), Giuseppe Porta, 1567
la vera perfettione del disegno di varie sorte di ricami (1564)department of drawings and prints, metropolitan museum of art
The True Perfection of the Design of Various Sorts of Embroidery, page 40 (verso), Giuseppe Porta, 1567
la vera perfettione del disegno di varie sorte di ricami (1564)department of drawings and prints, metropolitan museum of art
The True Perfection of the Design of Various Sorts of Embroidery, page 15 (verso), Giuseppe Porta, 1567
la vera perfettione del disegno di varie sorte di ricami (1564)department of drawings and prints, metropolitan museum of art
The True Perfection of the Design of various types of embroidery, page 9 (recto), Giuseppe Porta, 1567
la vera perfettione del disegno di varie sorte di ricami (1564)department of drawings and prints, metropolitan museum of art
The True Perfection of the Design of Various Sorts of Embroidery, page 7 (verso), Giuseppe Porta, 1567
la vera perfettione del disegno di varie sorte di ricami (1564)department of drawings and prints, metropolitan museum of art
The True Perfection of the Design of Various Sorts of Embroidery, page 6 (verso), Giuseppe Porta, 1567
la vera perfettione del disegno di varie sorte di ricami (1564)department of drawings and prints, metropolitan museum of art
The True Perfection of the Design of various types of embroidery, page 5 (recto), Giuseppe Porta, 1567
la vera perfettione del disegno di varie sorte di ricami (1564)department of drawings and prints, metropolitan museum of art
The True Perfection of the Design of various types of embroidery, page 14 (recto), Giuseppe Porta, 1567
la vera perfettione del disegno di varie sorte di ricami (1564)department of drawings and prints, metropolitan museum of art
The True Perfection of the Design of Various Sorts of Embroidery, page 9 (verso), Giuseppe Porta, 1567
la vera perfettione del disegno di varie sorte di ricami (1564)department of drawings and prints, metropolitan museum of art
The True Perfection of the Design of various types of embroidery, page 7 (recto), Giuseppe Porta, 1567
la vera perfettione del disegno di varie sorte di ricami (1564)department of drawings and prints, metropolitan museum of art
The True Perfection of the Design of various types of embroidery, page 29 (recto), Giuseppe Porta, 1567
la vera perfettione del disegno di varie sorte di ricami (1564)department of drawings and prints, metropolitan museum of art
The True Perfection of the Design of various types of embroidery, page 8 (recto), Giuseppe Porta, 1567
la vera perfettione del disegno di varie sorte di ricami (1564)department of drawings and prints, metropolitan museum of art
The True Perfection of the Design of various types of embroidery, page 33 (recto), Giuseppe Porta, 1567
la vera perfettione del disegno di varie sorte di ricami (1564)department of drawings and prints, metropolitan museum of art
The True Perfection of the Design of Various Sorts of Embroidery, page 35 (verso), Giuseppe Porta, 1567
la vera perfettione del disegno di varie sorte di ricami (1564)department of drawings and prints, metropolitan museum of art
The True Perfection of the Design of various types of embroidery, page 28 (recto), Giuseppe Porta, 1567
la vera perfettione del disegno di varie sorte di ricami (1564)department of drawings and prints, metropolitan museum of art
The True Perfection of the Design of Various Sorts of Embroidery, page 24 (verso), Giuseppe Porta, 1567
la vera perfettione del disegno di varie sorte di ricami (1564)department of drawings and prints, metropolitan museum of art
The True Perfection of the Design of Various Sorts of Embroidery, page 28 (verso), Giuseppe Porta, 1567
la vera perfettione del disegno di varie sorte di ricami (1564)department of drawings and prints, metropolitan museum of art
The True Perfection of the Design of various types of embroidery, page 26 (recto), Giuseppe Porta, 1567
la vera perfettione del disegno di varie sorte di ricami (1564)department of drawings and prints, metropolitan museum of art
The True Perfection of the Design of Various Sorts of Embroidery, page 38 (verso), Giuseppe Porta, 1567
la vera perfettione del disegno di varie sorte di ricami (1564)department of drawings and prints, metropolitan museum of art
The True Perfection of the Design of various types of embroidery, page 25 (recto), Giuseppe Porta, 1567
la vera perfettione del disegno di varie sorte di ricami (1564)department of drawings and prints, metropolitan museum of art
The True Perfection of the Design of various types of embroidery, page 32 (recto), Giuseppe Porta, 1567
la vera perfettione del disegno di varie sorte di ricami (1564)department of drawings and prints, metropolitan museum of art
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